How could Disney sit at a table and watch the guests in New Orleans Square below him in 1967?

We recently enjoyed a second dinner at Club 33. We were told by a hostess that the restaurant was completed in 1967. But after leaving, I thought to myself, “How could Mr. Disney sit at a table and watch the guests in New Orleans Square below him in 1967 when he died in 1966?” Could you straighten out the timeline of the Club 33 construction and completion for me?

Walt Disney never had a chance to sit in Club 33 and watch his guests below in New Orleans Square (as depicted in a well-known piece of artwork), because he died six months before the club was finished. He was very involved in the early planning of the club, and he and his wife, Lilly, had traveled to New Orleans with the club’s designer, Emile Kuri, to select the beautiful antiques to be featured there. But he never got to see the results as he died on December 15, 1966. The club opened on June 15, 1967.

Walt Disney World Location - Orlando or Ocala?

I heard that when Disney came to Florida that he had two places in mind for the location of Walt Disney World—Ocala and Orlando. What made Disney choose Orlando over Ocala?

Walt Disney and his staff made intensive surveys of Florida, looking for the right amount of available and affordable land, proximity to Interstate Highways, ease of access, etc. It was deemed that area between Ocala and Orlando experienced a significant decline in minimum winter temperature; because cold nights tend to have an adverse effect on attendance and landscaping, the region south of Orlando was more appealing. It was the Orlando area property that fulfilled their needs.

Walt Disney's Name Tag

Q: Our family vacations at the parks regularly, and I have noticed that every Disney cast member all the way up the CEO wears name tags. Did Walt ever wear one? If so, is it in the Archives?
Christopher, Phoenix, Arizona 

A [Dave Smith]: Walt Disney was adamant that Disney should be a first-name company. The first name tags for Disneyland came in 1962. They were a gray oval with a white name. We do have a "WALT" one in the Archives, but I have never seen a picture of him wearing it. I guess everyone knew him, so he felt it wasn't necessary. 

Walt's Name Tag was just like this one above

 

Each nametag has its own history, which in turn is a small part of Disneyland history. Let's look at the tags, row by row, starting with the top and working our way down. (Don't forget to click the image for an even bigger view!)

TOP ROW

• The badge in the upper left hand corner is made of metal, and is the very first name badge issued at Disneyland. There were two kinds used in the first seven years Disneyland was open. Regular employees had a badge with their employee number. Supervisors and managers had their full names on their badges. The badge in this picture belonged to Jim Warrick, who was in charge of the Maintenance department.

From 1962 to 1974, the thin oval nametags were used at Disneyland. There were three varieties used:

• First was a steel gray oval, with silver inlay (LYNDA).
• In 1967, there was a slight change, and the inlay was changed to gold (PAUL).
• From 1971 to 1974, a while oval was used (RICK).
• In 1975-76, the Bicentennial of the United States was celebrated at Disneyland and a new nametag was made (SHANE).

To learn more about the other rows, visit Disneyland History Through Nametags

The Truth About "If you Can Dream It, you Can Do It"

Q: I have found the quotation, "If we can dream it, we can do it," attributed to Walt Disney, on the Internet. Do you know when he said it?

Thomas, Lincoln, Nebraska 

A [Dave Smith]: Despite its frequent publication, that is not a Walt Disney quote. We checked with Imagineer Tom Fitzgerald for the definitive answer: "I am very familiar with that line — because I wrote it! It was written specifically for the Horizons attraction at Epcot and used in numerous ways, from dialogue in the ride to graphics. I find it amusing that the Science of Imagineering DVD series attributes it to Walt Disney, but I guess I should be flattered." 

 [Marcio Disney]

He is one of the Walt’s original Imagineers and nowadays, you can read articles wrote by Tom Fitzgerald for the Disney Parks Blog! He's all about Star Tours. Just Visit: http://disneyparks.disney.go.com/blog/author/tfitzgerald/

The Hotel that Walt Disney Stayed in Vienna

Q: I live in Vienna and recently I read in a magazine that Walt Disney stayed in one of Austria's most famous hotels. It's called Hotel Sacher. Do you know if he really stayed there?
Thomas, Vienna, Austria 

A [Dave Smith]: In 1959, 1960, 1961 and 1962, the only years that we know Walt Disney went to Vienna, he stayed at the Hotel Imperial. We are not aware that he ever stayed at the Hotel Sacher.

 http://www.hotelimperialvienna.com/

Walt Disney and the Role of Carrot during World War II

Q: I run the World Carrot Museum, online at www.carrotmuseum.com, and am researching the role of carrot during World War II. I have found that Hank Porter, on behalf of Disney, created several "carroty" characters for use in the British publicity campaign to eat more vegetables. Can you throw any light on these original cartoon characters via any archives/books you have?
John, Skipton, U.K. 

A [Dave Smith]: According to David Lesjak's book Toons at War, "Disney artists helped the British government promote food products by designing a family of carrots for England's Food Minister. The January 11, 1942 issue of The New York Times magazine announced, 'England has a goodly store of carrots. But carrots are not the staple items of the average English diet. The problem… is to sell carrots to [the English public].' The Disney-designed carrots included Carroty George, Dr. Carrot, and Clara Carrot. The vegetable characters were reproduced on a poster and recipe booklet, and the carrot images were used extensively in a newspaper ad campaign." 

[Marcio Disney]

Oswald the Lucky Rabbit - The Only 3 Merchandise Items during Walt Disney's Period

Q: I am searching for information concerning a spring wind-up doll named Oswald after the cartoon character of the 1920s. I understand he was before Mickey. Any information and possible value would be appreciated. Do you have one in the Archives?
Phillip, Des Moines, Iowa 

A [Dave Smith]: There were only three Oswald the Lucky Rabbit merchandise items made during the period that Walt Disney was making the Oswald cartoons — a stencil set, a pinback button and a candy bar. Other items would have been made later, during the period that Walter Lantz produced the cartoons. We do not have any information on them. 

[Marcio Disney]

S t e n c i l     S e t

Q: A commonly asked question is, "If you could meet anyone, anywhere in time, who would it be?" Until recently I didn't really know. After a visit to Disneyland and several visits to Walt Disney World (WDW) and reading some WDW history, I know for me that person is the legendary Walt Disney. What is the best non-fiction book that most comprehensively covers each of the three following topics: Walt Disney the man, Disneyland and Walt Disney World? Of course, I defer to your expertise if you have other recommendations (I know you have authored several).

Blaine, Wilmington, Delaware

A [Dave Smith]: I don't want to make specific recommendations because I have been involved in the production of almost all of the books and do not want to slight any of the authors, but if you search, you will find a selected bibliography of books on Walt Disney and on other Disney subjects.

[Marcio Disney]

The Walt Disney Company Selected Bibliography

WALT and ROY DISNEY
The Story of Walt Disney by Diane Disney Miller & Pete Martin (Holt, 1957)
The Disney Version by Richard Schickel (Simon & Schuster, 1968, 1985, 1997)
Walt Disney: An American Original by Bob Thomas (Simon & Schuster, 1976; Hyperion, 1994)
The Man Behind the Magic; the Story of Walt Disney by Katherine & Richard Greene (Viking, 1991, 1998)
Walt Disney: His Life in Pictures edited by Russell Schroeder (Disney Press, 1996)
Walt Disney's Railroad Story by Michael Broggie (Pentrex, 1997)
The Magic Kingdom; Walt Disney and the American Way of Life by Steven Watts (H. Mifflin, 1997; 2001)
Building a Company; Roy O. Disney and the Creation of an Entertainment Empire by Bob Thomas (Hyperion, 1998)
Remembering Walt: Favorite Memories of Walt Disney by Howard Green & Amy Boothe Green (Hyperion, 1999)
The Quotable Walt Disney compiled by Dave Smith (Disney Editions, 2001)
Discovering Walt by Jean-Pierre Isbouts (Disney Editions, 2001)
Inside the Dream: The Personal Story of Walt Disney by Katherine & Richard Greene (Disney Editions, 2001)
Walt Disney's Missouri by Brian Burnes, et al (Kansas City Star Books, 2002)
Walt Disney: Triumph of the American Imagination by Neal Gabler (Knopf, 2006)
Walt Disney: Conversations, ed.by Kathy Merlock Jackson (Univ. Press of Mississippi, 2006)
The Animated Man: A Life of Walt Disney by Michael Barrier (Univ. of California Press, 2007)
Walt Disney: The American Dreamer by Tom Tombusch (Tomart Publications, 2008)


WALT DISNEY STUDIOS/WALT DISNEY COMPANY
Donald Duck Joins Up; the Walt Disney Studio During World War II by Richard Shale (UMI Research Press, 1982)
Storming the Magic Kingdom by John Taylor (Knopf, 1987)
The Disney Studio Story by Richard Holliss & Brian Sibley (Crown, 1988)
The Disney Touch by Ron Grover (Business One Irwin, 1991, 1997)
Prince of the Magic Kingdom: Michael Eisner and the Re-Making of Disney by Joe Flower (Wiley, 1991)
Disney Dons Dogtags: The Best of Disney Military Insignia from World War II by Walton Rawls (Abbeville, 1992)
Walt in Wonderland: The Silent Films of Walt Disney by Russell Merritt & J.B. Kaufman (Johns Hopkins University Press, 1993)
The Disney Films by Leonard Maltin (Crown, 1973, 1984; Hyperion, 1995)
Work in Progress by Michael Eisner & Tony Schwartz (Random House, 1998)
Disney: The First 100 Years by Dave Smith & Steven Clark (Hyperion, 1999; Disney Editions, updated 2002)
The Little Big Book of Disney by Monique Peterson (Disney Editions, 2001)


INDIVIDUAL ANIMATED CHARACTERS
Mickey Mouse: Fifty Happy Years edited by David Bain & Bruce Harris (Harmony Books, 1977)
Donald Duck, 50 Years of Happy Frustration (HP Books, 1984)
Goofy, the Good Sport (HP Books, 1985)
Mickey Mouse, His Life and Times (Harper & Row, 1986)
Mickey Mouse in Color (Pantheon Books, 1988)
Mickey Mouse; My Life in Pictures by Russell Schroeder (Disney Press, 1997)
Encyclopedia of Walt Disney's Animated Characters by John Grant (Hyperion, 1998)
Disney's Winnie the Pooh: A Celebration of the Silly Old Bear by Christopher Finch (Disney Editions, 2000)
Mickey Mouse: The Evolution, the Legend, the Phenomenon by Robert Heide & John Gilman (Disney Editions, 2001)
The Mickey Mouse Treasures by Robert Tieman (Disney Editions, 2007)


DISNEY ANIMATION HISTORY/BEHIND-THE-SCENES
The Art of Walt Disney by Robert D. Feild (Macmillan, 1942)
The Art of Animation by Bob Thomas (Simon & Schuster, 1958)
The Art of Walt Disney by Christopher Finch (Harry N. Abrams, 1973, 1995, updated 2004)
Fantasia by John Culhane (Harry N. Abrams, 1983)
Snow White and the Seven Dwarfs & the Making of the Classic Film by Richard Holliss & Brian Sibley (Simon & Schuster, 1987; Hyperion, 1994)
Walt Disney's Bambi: The Story and the Film by Ollie Johnston & Frank Thomas (Stewart, Tabori & Chang, 1990 )
Art of Animation: From Mickey Mouse to Beauty and the Beast by Bob Thomas (Hyperion, 1991; updated to Hercules, 1997)
Aladdin, The Making of an Animated Film by John Culhane (Hyperion, 1992)
The Art of The Lion King by Christopher Finch (Hyperion, 1994)
Snow White and the Seven Dwarfs: An Art in Its Making by Martin Krause & Linda Witkowski (Hyperion, 1994)
The Art of Pocahontas by Stephen Rebello (Hyperion, 1995)
The Illusion of Life: Disney Animation by Frank Thomas & Ollie Johnston (Hyperion, 1995)
The Disney that Never Was by Charles Solomon (Hyperion, 1995)
Toy Story; the Art and Making of the Animated Film by John Lasseter & Steve Daly (Hyperion, 1995)
The Art of the Hunchback of Notre Dame by Stephen Rebello (Hyperion, 1996)
Before the Animation Begins: The Art and Lives of Disney Inspirational Sketch Artists by John Canemaker (Hyperion, 1996)
Animation Magic: A Behind-the-Scenes Look at How an Animated Film Is Made by Don Hahn (Hyperion, 1996)
The Art of Hercules by Stephen Rebello and Jane Healey (Hyperion, 1997)
The Art of Mulan by Jeff Kurtti (Hyperion, 1998)
A Bug's Life: The Art and Making of an Epic of Miniature Proportions by Jeff Kurtti (Hyperion, 1998)
The Tarzan Chronicles by Howard Green (Hyperion, 1999)
Fantasia/2000: Visions of Hope by John Culhane (Disney Editions, 1999)
Paper Dreams: The Art & Artists of Disney Storyboards by John Canemaker (Hyperion, 1999)
Dinosaur: The Evolution of an Animated Feature by Jeff Kurtti (Disney Editions, 2000)
Walt Disney's Nine Old Men & The Art of Animation by John Canemaker (Hyperion, 2001)
The Art of Monsters, Inc. (Chronicle Books, 2001)
Lilo & Stitch: Collected Stories from the Film's Creators (Disney Editions, 2002)
Treasure Planet: A Voyage of Discovery (Disney Editions, 2002)
The Art of Finding Nemo by Mark Cotta Vez (Chronicle Books, 2003)
The Art and Flair of Mary Blair by John Canemaker (Disney Editions, 2003)
Brother Bear: A Transformation Tale by H. Clark Wakabayashi (Disney Editions, 2003)
The Art of the Incredibles by Mark Cotta Vaz (Chronicle Books, 2004)
Chicken Little: From Henhouse to Hollywood by Monique Peterson (Disney Editions, 2005)
Walt Disney's Silly Symphonies by Russell Merritt & J.B. Kaufman (La Cineteca del Friuli, 2006)
The Art of Ratatouille by Karen Paik (Chronicle Books, 2007)
Working with Walt: Interviews with Disney Artists by Don Peri (Univ. Press of Mississippi, 2008)
The Idea of Nature in Disney Animation by David Whitley (Ashgate, 2008)
The Pixar Touch: The Making of a Company by David A. Price (Knopf, 2008)
The Alchemy of Imagination: Making an Animated Film in the Modern Age by Don Hahn (Disney Editions, 2008)
The Art of WALL·E by Tim Hauser (Chronicle Books, 2008)
The Art of Bolt by Mark Cotta Vaz (Chronicle Books, 2008)
Disney Lost and Found: Exploring the Hidden Artwork from Never-Produced Animation by Charles Solomon (Disney Editions, 2008)
Walt Disney Animation Studio The Archive Series: Story (Disney Editions, 2008)
The Art of the Disney Princess (Disney Editions, 2009)
Walt Disney Animation Studio The Archive Series: Animation (Disney Editions, 2009)

MUSIC
The Musical World of Walt Disney by David Tietyen (Hal Leonard, 1990)
The Golden Age of Walt Disney Records, 1933-1988 by R. Michael Murray (Antique Trader Books, 1997)
The Illustrated Treasury of Disney Songs (Hyperion, 1998)
Walt's Time by Robert B. Sherman & Richard M. Sherman (Camphor Tree, 1998)
Mouse Tracks: The Story of Walt Disney Records by Tim Hollis & Greg Ehrbar (Univ. Press of Mississippi, 2006)
Disney's Lost Chords by Russell Schroeder (Voigt Publications, 2007)


THEME PARKS
Walt Disney's Epcot Center by Richard R. Beard (Harry N. Abrams, 1982)
Disneyland: Inside Story by Randy Bright (Abrams, 1987)
Gardens of the Walt Disney World Resort by Dee Hansford (Walt Disney World, 1988)
Disneyland: The Nickel Tour by Bruce Gordon and David Mumford (Camphor Tree, 1995; updated 2000)
Building a Dream; The Art of Disney Architecture by Beth Dunlop (Abrams, 1996)
Walt Disney Imagineering: A Behind the Dreams Look at Making the Magic (Hyperion, 1996)
Since the World Began: Walt Disney World's First 25 Years by Jeff Kurtti (Hyperion, 1996)
Designing Disney's Theme Parks, ed. by Karal Ann Marling (Flammarion, 1997)
The Making of Disney's Animal Kingdom by Melody Malmberg (Hyperion, 1998)
Riding the Black Ship Japan and Tokyo Disneyland by Aviad E. Raz (Harvard University, 1999)
Walt Disney World Resort�A Souvenir for the Millennium (Disney Editions, 1999)
Once Upon an American Dream: The Story of Euro Disneyland by Andrew Lainsbury (U. of Kansas Press, 2000)
Disneyland Resort: Magical Memories for a Lifetime (Disney Editions, 2002)
Disneyland Paris: From Sketch to Reality by Alain Littaye & Didier Ghez (Nouveau Mill�naire, 02)
Hidden Mickeys: A Field Guide to Walt Disney World's Best Kept Secrets by Steven Barrett (Intrepid Traveller, 2003)
Designing Disney: Imagineering and the Art of the Show by John Hench (Disney Editions, 2003)
The Haunted Mansion: From the Magic Kingdom to the Movies by Jason Surrell (Disney Editions, 2003)
Around the World with Disney by Kevin Markey (Disney Editions, 2005)
Disneyland: Then, Now and Forever by Bruce Gordon & Tim O'Day (Disney Editions, 2005)
Disneyland Hotel: The Early Years (1954-1988) by Donald W. Ballard (Ape Pen Pub., 2005)
The Imagineering Field Guide to the Magic Kingdom at Walt Disney World by Alex Wright (Disney Editions, 2005)
The Imagineering Field Guide to Epcot by Alex Wright (Disney Editions, 2006)
Behind the Magic: 50 Years of Disneyland by Karal Ann Marling (The Henry Ford, 2005)
Pirates of the Caribbean: From the Magic Kingdom to the Movies by Jason Surrell (Disney Editions, 2005)
Birnbaum's Walt Disney World and Birnbaum's Disneyland (Disney Editions, 2006)
Spinning Disney's World: Memories of a Magic Kingdom Press Agent by Charles Ridgway (Intrepid Traveller, 2007)
The Disney Mountains: Imagineering at Its Peak by Jason Surrell (Disney Editions, 2007)
Disneyland's Hidden Mickeys: A Field Guide to Disneyland Resort's Best Kept Secrets by Steven M. Barrett (Intrepid Traveler, 2007)
The Disneyland Encyclopedia by Chris Stodder (Santra Monica Press, 2008)
Imagineering Legends and the Genesis of the Disney Theme Park by Jeff Kurtti (Disney Editions, 2008)
Disney's California Adventure Detective by Kendra Trahanl (PermaGrin Publishing, 2008)
Walt Disney World: Then, Now and Forever by Burce Gordan and Jeff Kurtti (Disney Editions, 2008)
The Imagineering Field Guide to Disneyland by Alex Wright (Disney Editions, 2008)


TELEVISION
Mickey Mouse Club Scrapbook by Keith Keller (Grosset & Dunlap, 1975)
The Official Mickey Mouse Club Book by Lorraine Santoli (Hyperion, 1995)
The Wonderful World of Disney Television by Bill Cotter (Hyperion, 1997)


COLLECTIBLES
Disneyana: Walt Disney Collectibles by Cecil Munsey (Hawthorn, 1974)
Disneyana Catalog and Price Guide (5 vols.) by Tom Tumbusch (Tomart, 1985-89)
Mickey Mouse Memorabilia (Abrams, 1986)
Disneyana: Classic Collectibles 1928-1958 by Robert Heide & John Gilman (Disney Editions, 2002)
The Mickey Mouse Watch Book by Robert Heide & John Gilman (Hyperion, 1997)
The Disney Poster Book (Disney Editions, 2002)
The Disney Treasures by Robert Tieman (Disney Editions, 2003)
The Disney Keepsakes by Robert Tieman (Disney Editions, 2005)
Official Price Guide to Disney Collectibles by Ted Hake (Gemstone Pub., 2005)


REFERENCE/TRIVIA
The Ultimate Disney Trivia Book by Kevin Neary & Dave Smith (Hyperion, 1992); Book 2 (Hyperion, 1994); Book 3 (Hyperion, 1997) Book 4 (Disney Editions, 2000)
Disney A to Z; the Official Encyclopedia by Dave Smith (Hyperion, 1996; updated eds. 1998, 2006)
Disney: The Ultimate Visual Guide by Russell Schroeder (DK Publishing, 2002)


MISCELLANEOUS
Beauty and the Beast; a Celebration of the Broadway Musical by Donald Frantz (Hyperion, 1995)
The Lion King: Pride Rock on Broadway by Julie Taymor (Hyperion, 1997)
Disney on Broadway ed. by Michael Lassell (Disney Editions, 2002)
A Day at the New Amsterdam Theatre by Dana Amendola (Disney Editions, 2004)
Celebration: The Story of a Town by Michael Lassell (Disney Editions, 2004)
Mary Poppins: Anything Can Happen If You Let It by Brian Sibley and Michael Lassell (Disney Editions, 2007)
How Does the Show Go On? An Introduction to the Theater by Thomas Schumacher and Jeff Kurtti (Disney Editions, 2007)

Walt and Roy are Disney Legends?

Q: I've always wanted to know why Walt Disney and his brother Roy have not yet been inducted to be part of the "Disney Legends" awards. Is there a good specific reason as to why this may be?
Joe, Livonia, Michigan

A [Dave Smith]: Good question, and I'm not sure what the answer would be. I guess that Walt and Roy Disney essentially were the company during their lives, and it didn't seem necessary to give them the Disney Legend award (which bore their name). They have already been sufficiently honored.

Walt Trips to London

Q: I recently learned that Walt Disney eventually convinced writer Pamela Travers to let him adapt Mary Poppins on screen when he visited her in person in London in 1959. I was wondering if, by any chance, this happened on the same trip he made to visit the Mills family (to convince them to allow Hayley play in Pollyanna)?

Vincent, Ottignies, Belgium

A [Dave Smith]: Walt made two trips to London in 1959 — in June/July and in October — but we do not have details as to what he did while in London.

U.S. cartoonist Walt Disney and his wife Lillian arrive at London Airport June. 23, 1959, from New York.

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ºoº Marcio Disney Family Sites Network ºoº

Mr. Disney's Personal Art Work

Q: Is there anywhere to view some of Mr. Disney's personal art work? My Grandfather received a painting from Mr. Disney in the '40s which we have kept in the family; however, I have never seen any of his personal oil art work displayed. I would appreciate any guidance on this.

Jean, Lake Worth, Florida

A [Dave Smith]: Walt Disney never painted in oils. He drew in pencil or pen and ink when he was a teenager, but he stopped drawing altogether in the mid-1920s when he found he could hire animators who could animate better than he could.

[Marcio Disney]

Click Here to read Walt Disney's short biography!

Everyday, Disney fans send dozens of questions for Disney Chief Archivist Dave Smith. Here are Dave's answers to your questions. Check back every day for a new post with a new question.

Dave Smith (born October 13, 1940) was the Walt Disney Archives founder and chief archivist which is located in the Frank G. Wells Building at Walt Disney Studios in Burbank, California. He joined the company June 22, 1970. Forty years later, on July 2010, he retired.


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ºoº Marcio Disney Family Sites Network ºoº

What kind of relationship Walt had with his Parents

Q: Dave, can you tell me what kind of relationship Walt had with his parents? I've been told that he didn't like his mother, but I don't ever recall hearing that! Is this true?

John, Belvidere, Illinois

A [Dave Smith]: When Walt Disney was growing up, he was very close to his parents, especially his mother. He never disliked her. Flora even agreed to help Walt get into the Red Cross at the time of World War I, even though he was underage. Walt's father was more strict, and there were times that he and Walt clashed.

[Marcio Disney]

From This Day in Disney History section at Disney's Dream Makers site: August 26

1918: A young Walt Disney forges his parents' signatures to enlist in the American Ambulance Corps (part of the Red Cross). He changes his birth from 1901 to 1900. See the details above!

Walt Disney in the American Ambulance Corps

The summer of 1918 was the best that Walt had known. His hours for the post office were long, but there was no drudgery to the work, and he was outdoors most of the time. At night he took girls from McKinley High School to movies and vaudeville shows.

For the first time in his life, Walt had enough money to indulge himself, and he contemplated buying a movie camera or a canoe. A girl friend urged him to buy a canoe, but he decided on the camera. He mounted it on a tripod in an alley and photographed himself in imitations of Charlie Chaplin. To please his friend, he joined another boy in buying an inexpensive canoe; it was so small and unwieldy that he and the girl were swept out into the lake on a windy Sunday.

By late summer, the Allies had stopped the Germans in the second battle of the Marne, and Marshal Foch bad ordered a counterattack. Walt grew more impatient to get in uniform, telling his parents, "I don't want my grandchildren asking me, 'Why weren't you in the war? Were you a slacker?' " The Navy had transferred Roy to Charleston, South Carolina, then assigned him to voyages between New York and France. Ray Disney had joined the Army. Walt wanted to take part in the same adventure; he couldn't conceive of returning to high school for another year. A friend at the post office, Russell Maas, shared his feelings. They decided to cross the border and enlist in the Canadian Army, which accepted younger recruits. Their plot was thwarted when Russell's mother discovered his packed suitcase; her son admitted the plan and she warned Flora Disney. One day Russell arrived at the post office and told Walt excitedly. "There' s something forming here that you and I can get into. It's a volunteer group called the American Ambulance Corps, part of the Red Cross. They need drivers, and they're not fussy about how old you are."

At noon, the two young men hurried to the headquarters of the American Red Cross. They learned the age limit for ambulance unit volunteers was seventeen. Both were sixteen, but they falsified their ages and applied as the St. John brothers, Russell and Walter. The ruse succeeded until the applications for passports which required their parents' signatures. Walt was forced to disclose his plan to his parents. "I will not sign any permission" Elias Disney declared. "It's signing a death warrant for my son."

Flora Disney argued that three of their sons had left the family home by stealth and she didn't want Walter to go the same way. "The boy is determined," she said "I would rather sign this and know where he is than have him run off."

"Well, you can sign it for me---I won't!" Elias replied, and he stalked from the room. Flora forged his name on the passport application, and Walt altered his birth date to read "1900." He and Russell Maas returned to the Red Cross, and their applications were accepted. The two boys received uniforms and reported to a tent encampment at a burned-down amusement park near the University of Chicago. Mechanics from the Yellow Cab Company taught them how to repair motors and drive cars over rough terrain.

Click here to read the complete story or visit: http://tinyurl.com/2vouzaj